Friday, February 28, 2020

Movie Review: Thappad


Thappad Movie Review: A Silent Rebellion!
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“The word love has by no means the same sense for both sexes, and this is one cause of the serious misunderstandings that divide them” – Simone de Beauvoir

Anubhav Sinha’s film ‘Thappad’ creates such an impact on you that its sound reverberates from one end of your heart to the other end of your conscience. It tugs and pulls you in all directions of your life to such an extent that your heart bleeds for all that you have done knowingly or unknowingly which might have slit the fabric of love, respect and happiness of your partner, friend, mother, sister and all those women who play a decisive role in your life.

The canvas of the film is so wide that the filmmaker takes you from the very first scene through the lives of many couples representing the different rungs of the society. They are so easily relatable that their lives’ twist and turns make you look within and at the same time make you observe your life and draw comparisons with the lives on screen. The social message slowly and steadily seeps into your heart that ‘Thappad’ is not just about the physical hurt but also about the grievous wound that you have caused to her soul.  

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Thappad tells the story of Ammu aka Amrita Sabherwal, a homemaker in an affluent family in Delhi. Her husband Vikram (Pavail Gulati) is career-oriented and is caught up in the rat race of the corporate world. He is workaholic and leaves no stone unturned to ensure that he chases his dream so that he can become the top head of his company’s London office. And on the other side, Ammu is a happy soul taking care of her diabetic mother-in-law (Tanvi Azmi), supporting and giving her husband the required moral support in pursuing his dream, and also taking out some time to tutor a sweet little girl next door on dancing. Ammu’s routine depicts the life of any homemaker like waking up almost before the first faint sign of dawn before everyone, picking up the milk bottles and the newspaper from the doorsteps, switching off the alarm clock, waking up her husband, taking care of the medicines and regular check-up of his mother and of course not forgetting to take a photograph of the beautiful dawn with her mobile camera while she sips her warm cup of tea in the balcony. And one fine day Ammu’s life cease because of a slap; the slap becomes the beginning of her consciousness. She finds it difficult to understand the logic given to her by her dear ones that “Ek Thappad hi thoh hai’. Ammu’s awakening becomes a silent rebellion not just in her family but in every women’s life she touched.  

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Tapsee Pannu as Ammu has given a stellar performance. She reminds you of everything that you overlooked or pushed under the proverbial rug saying that it's ok, it happens in a relationship, that’s what life is and so on and so forth. A special mention for Pavail Gulati for his thoroughly convincing performance as the loving husband as well as for playing the typical self-obsessed patriarchal male. Kumud Mishra and Ratna Pathak Shah, the two veterans win your heart as Ammu’s parents. Geetika Vidhya as the maid of Ammu who is a victim of an abusive marital relationship keeps you entertained and has given an exemplary performance. The song ‘Ek Thukda Dhoop Ke’ sums up the soul of the film beautifully through its lyrics and music.

In short, Anubhav Sinha’s Thappad after Mulk, Article 15 is a good example of how cinema can awaken the social conscience. Thappad is commendable and deserves a standing ovation for its compelling message and for its take on gender politics. It’s a movie to be watched with all the members of your family. It raises pertinent questions on the kind of relationships we have and patriarchy. Finally, Thappad is enabling beyond empowering and therefore let’s remember what Melinda Gates said – “A woman with a voice is, by definition, a strong woman”.

PEN Movie Rating: 4/5


Cast: Tapsee Pannu (Amrita Sabherwal), Pavail Gulati (Vikram), Ratna Pathak Shah, Kumud Mishra, Tanvi Azmi, Dia Mirza, Ram Kapoor, Sushil Dahiya, Nidhi Uttam, Manav Kaul, Gracy Goswami, Sandeep Yadav, Naila Grewal, Ankur Rathee, Geetika Vidhya

Genre:  Social Drama

Director: Anubhav Sinha

Producer: Bhushan Kumar, Krishan Kumar, Anubhav Sinha

Written by: Anubhav Sinha, Mrunmayee Lagoo

Music: Anurag Saikia (Songs), Mangesh Dhakde (Score)

Cinematography: Soumik Mukherjee

Edited by: Yasha Ramchandani

Production Companies: Benaras Media Works, T-Series

Distributor: AA Films

Release Date: 28 February 2020

Duration: 142 Minutes

Language: Hindi

Wednesday, February 19, 2020

Movie Review: Love Aaj Kal 2.0


Love Aaj Kal 2.0 Movie Review: Jaane Kyun Log Pyar Karte Hain?
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“I think the perfection of love is that it’s not perfect” – Taylor Swift

Imtiaz Ali’s film ‘Love Aaj Kal’ (LAK) 2.0 wades through the troubled waters of whether to fall in love or not to. It is also a story of continual pursuit for ideal love. To tell this Imtiaz Ali shares with us two love stories parallelly – one, that has it’s origin in 1990 and the other, in the present. Raghu’s (Randeep Hooda) and Leena’s (Aarushi Sharma) love story is the embodiment of ideal and true love for Zoe (Sara Ali Khan), a career-oriented free bird. Zoe considers her career as her love because she feels her love is available for her always; when she is alone her love makes her feel complete; her love is her world. She feels falling in a committed love may kill her freedom to scale the heights in her career and therefore frets on the very thought of love but she doesn’t mind to fulfil her physical biological needs by hopping around in non-committal relationships. Whereas, Veer (Kartik Aaryan) is in search of true love – a love that is much more than physical. It’s like Veer seems to believe what William Shakespeare once said – “When I saw you, I fell in love, and you smiled because you knew it”.  

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The beautiful theme of true love and the wavering mind has been fantastically portrayed umpteen times in many of Imtiaz Ali’s films before, but this time he falters, fumbles and stammers making it too complicated and messy for the audience to understand what he wants to convey. Amidst these confusion, Kartik Aaryan and Sara Ali Khan, unfortunately, fail to recreate the magic of Jai (Saif Ali Khan) and Meera (Deepika Padukone) of Love Aaj Kal 2009. The only joy to watch LAK 2.0 is Randeep Hooda and Aarushi Sharma. Randeep Hooda’s narration about his love for Aarushi Sharma is commendable and beautiful. You fall in love with the shy and timid Leena of the ’90s.

Imtiaz Ali plays safe by keeping the same storyline LAK 2009 but had no other choice but to fiddle with the locations and situations. Instead of London, it’s Udaipur now and instead of Rishi Kapoor it’s Randeep Hooda who strikes a chord with Sara Ali Khan to go and pursue her true love. The camaraderie of Rishi Kapoor and Saif Ali Khan is missing here between Raghu and Zoe.

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Imtiaz Ali’s attempt to put the old wine in the new bottle did what Jesus Christ cautioned people from not to do – as the new wine will split the leather skin of the flask and spill the new wine. Here too, LAK 2.0 spills into too many forced of emotions, outbursts, confusions, and unnecessary talks on ideal and not so ideal love.

Kartik Aaryan and Sara Ali Khan tried hard to keep the audience engaged and entertained but unfortunately the harder they tried the more the audience yawned. The music of Lak 2.0 is in no match to 2009 LAK’s foot-tapping music which was highly appreciated and loved.

In short, if you are a fan of Imtiaz Ali’s films then go and revisit Tamasha, Love Aaj Kal 2009, Laila Majnu, Jab We Met, Highway, Rockstar but avoid Lak 2.0. I feel Imtiaz Ali should take a break now from telling stories of true love versus confused love, career versus love etc. We love you Imtiaz Ali, so please give us something new in the near future. Finally, ‘Love Aaj Ka Ho Ya Kal Ka’ I would like to quote Maya Angelou – “Love recognises no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at it’s destination full of hope”.

PEN Movie Rating: 1.5/5

Cast: Romance/Drama

Director: Imtiaz Ali

Producer: Dinesh Vijan, Imtiaz Ali

Written by: Imtiaz Ali

Music: Pritam (Songs), Ishaan Chhabra (Score)

Cinematography: Amit Roy

Edited by: Aarti Bajaj

Production Companies: Maddock Films, Window Seat Films, Reliance Entertainment

Distributor: Pen Marudhar Entertainment

Release Date: 14 February 2020

Duration: 141 Minutes

Language: Hindi